Music in New Jersey

A Public Musicology Project

  • Home
  • Public Musicology
    • Music in Princeton Blog
    • Oral Histories
  • Ecomusicology Conference
    • Conference Schedule
    • Call for Papers
  • Special Projects
    • The Past, Present and Future of Public Musicology
      • Conference Schedule
      • Call for Papers
    • Westminster Choir World Tour 1956-57 Exhibit and Podcast
    • Sounds of Princeton Exhibit and Soundwalks
  • About Music in New Jersey
    • About the Project Coordinator
    • Public Musicology at Westminster Choir College of Rider University

A Life Propelled by Musical Influence

May 8, 2015 By riegere 1 Comment

There were many factors to consider when originally deciding who to interview for the oral history project. I wanted someone who I believed to be talented in his or her field while also being able to remain interesting and captivating throughout the course of the interview. I ultimately decided on my friend Michael Weaver. Michael is currently a church youth leader who still manages to keep himself busy with various instrumental and otherwise musical gigs. I met Michael this past summer when he played keyboard and french horn in a pit orchestra I directed for The Who’s Tommy. Upon meeting him at my first music rehearsal in June, I immediately recognized his ability to work as a dedicated musician while still remaining a friendly and engaging presence in a rehearsal situation. Taking all of this into consideration, Michael was the obvious choice for my oral history interview.

After making the initial decision of who to interview, the first step was contacting him to explain the project and ask if he would be interested. He enthusiastically agreed to help and I began to plan the interview’s framework. The plan was to follow these five key areas:

  1. Initial musical interest
  2. The first time he felt that music was the path he would take
  3. First professional gig
  4. Getting away from music
  5. His wife’s connection to WCC

I thought this was a good starting point, but even at this point in the process I fully expected things to change once the interview was actually happening. I chose not to give Michael the questions ahead of time, but I told him to begin thinking about the role music had over the course of his life up to this point.

We planned for the interview to take place in his church after a handbell ensemble rehearsal. As far as recording equipment goes, I originally wanted to record video with my iPhone and audio with an external microphone, merging the two on my computer. I ended up borrowing a handheld video camera from a friend and used it for both audio and video instead. I set up the tripod right in the middle of the church. After recording a test video to make sure everything was working properly, we began the interview. Once we had gotten through the first portion, I began to realize that I would need to improvise some topics branching off of the main ideas we were talking about. I think this added some nice flow to the interview that would have been absent if I had stuck strictly to the questions from my project proposal.

Just as I expected, Michael was a great person to interview. He is easy to talk to and does what he can to keep the flow going. He did not hesitate to joke to break up some of the more serious conversation and had exactly the demeanor necessary to keep interviews like this entertaining. I think the project was an overall success and I am interested to see how my peers’ interviews ended up.

Share
Stacy Wolf– Musical Theater Scholar and Professor at Princeton University
A Conversation with Stacy Wolf

Filed Under: Music and Ideas, Popular and Folk Music, Sacred Music

Trackbacks

  1. Michael Weaver– Collaborative Musician, Music Engraver, Composer, and Youth Director - Music in New Jersey says:
    May 10, 2015 at 8:23 pm

    […] You can read Evan’s reflections on this interview here. […]

    Reply

Leave a Reply to Michael Weaver– Collaborative Musician, Music Engraver, Composer, and Youth Director - Music in New Jersey Cancel reply

Your email address will not be published. Required fields are marked *

RSS
Follow by Email
Facebook
Facebook
SHARE

Upcoming Ecomusicology Conference

Locations and Dislocations: An Ecomusicological Conversation

April 8-10, 2016 Westminster Choir College of Rider University Princeton, NJ "Locations and Dislocations: An Ecomusicological Conversation" seeks to bring together scholars, performers, and composers to further explore the relationships between music, culture, and the environment. The conference will tune to sounds as they fit or belong in the place they are heard, as they fit or belong in some other place, or as they have no ecological home, either built or natural. Among the questions at

Recent Posts

  • Cris Frisco– Tenor and Vocal Coach
  • Rob Tannen– Musical Impresario and Founder of SALON 33
  • Douglas Helvering– Composer, Music Theory and Composition Professor, and Church Music Director
  • Myles Glancy– Tour Manager for the American Boychoir
  • Rebecca Pennington– Administrative Director of the The New School for Music Study

Meta

  • Log in
  • Entries RSS
  • Comments RSS
  • WordPress.org

Add Link to Facebook

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Copyright © 2022 · Eric Hung, Associate Professor of Music History, Westminster Choir College of Rider University · Log in